FUN Summer Dance Camps for kids ages 4-7! Four sessions available!
Audition registration is now open for our award-winning competition/convention team, or by private evaluation.
REGISTER BY JUNE 1 FOR $30 OFF!
Conditioning, flexibility, extensions, turns, + jazz/contempo technique with Whylan Rucker + more! Age 8+
Join Jess Hendricks + more June 29-30 for a powerful weekend of contemporary, improv, modern, + choreo coaching with amazing faculty! $30 off by 6/1!
Our super popular jazz weekend perfects technique, leaps, turns, style, and more. Jazz it up July 13-14. Ages 8+ Get $30 off by 6/1! Click below for faculty + info:
Join the best master teachers in the industry! Contemporary, Jazz, Hip Hop, more, plus a NEW video project and scholarships! Aug 1-4. $30 Off by July 1
Get an immediate $50 credit posted to your account when you get a friend to enroll! If you don't mind the credit and just want to spread the word, please feel free to VOTE for us as Best Business - voting ends Feb 29
Amy Leonards is Director of TADA's Ballet Program and holds a BA in the Performing Arts. Originally from Louisiana, Amy is classically trained in ballet, tap, and jazz, with a specialization in teaching Vaganova, Cecchetti, and RAD ballet methods. Miss Amy developed and implemented ballet curriculum as ballet director over several ye
Amy Leonards is Director of TADA's Ballet Program and holds a BA in the Performing Arts. Originally from Louisiana, Amy is classically trained in ballet, tap, and jazz, with a specialization in teaching Vaganova, Cecchetti, and RAD ballet methods. Miss Amy developed and implemented ballet curriculum as ballet director over several years for two performing arts schools in Los Angeles and San Franciso before joining us at TADA, while also pursuing a professional career in theater. She is a proud member of the Actors' Equity Association, and some of her favorite roles include Hope in Anything Goes, Rose in Enchanted April (World Premiere), Marian in The Music Man, Maggie in A Chorus Line, and Jellylorum in Cats, to name a few. Amy also has international, national, and regional commercial and print credits, including Ford, Legal Zoom, LeapFrog, and Salesforce. We are honored and proud to acquire her as Ballet Director in 2021!
View more about Miss Amy on her website at https://www.amyfranklinleonards.com/
You may email her at ballet@dancetada.com
Originally from Sacramento, California, Elise Elliott danced with the Houston Ballet for ten seasons, retiring as a Soloist in 2017. She enjoyed being featured in works by many choreographers, including Stanton Welch, Antony Tudor, Ben Stevenson, Jiri Kylian, George Balanchine, William Forsythe, Christopher Bruce, Sir Kenneth Macmillan,
Originally from Sacramento, California, Elise Elliott danced with the Houston Ballet for ten seasons, retiring as a Soloist in 2017. She enjoyed being featured in works by many choreographers, including Stanton Welch, Antony Tudor, Ben Stevenson, Jiri Kylian, George Balanchine, William Forsythe, Christopher Bruce, Sir Kenneth Macmillan, Jorma Elo, Wayne MacGregor, and John Cranko. She was also fortunate enough to tour with the company to many countries, including Australia, China, Canada, Germany, and Spain. In 2017, Elise became Texas Academy of Dance Arts’ Ballet Director in The Woodlands, TX, as well as the Founding Artistic Director of TADA’s Youth Ballet Company. In 2021, Elise joined Texas Ballet Theater as the School Business Manager, as well as a Professional Training Division (PTD) and Advanced Instructor and choreographer in the esteemed school. In November 2022, Elise became one of the Rehearsal Directors for The Sacramento Ballet. . She is also a certified Pure Barre Instructor, as well as mother of 3!
Rhodes Elliott is originally from Florence, South Carolina. Rhodes retired in 2018 as a Demi-Soloist with the Houston Ballet, after having been with the company for 11 years. He received his early dance training and pre-professional experience with UNCSA, as well as The School of Dance Arts and South Carolina Dance Theater under the tute
Rhodes Elliott is originally from Florence, South Carolina. Rhodes retired in 2018 as a Demi-Soloist with the Houston Ballet, after having been with the company for 11 years. He received his early dance training and pre-professional experience with UNCSA, as well as The School of Dance Arts and South Carolina Dance Theater under the tutelage of the esteemed Susan Rowe. He attended several summer programs throughout his training, including North Carolina Dance Theater, Houston Ballet, and the University of North Carolina School of the Arts. While dancing with the Houston Ballet, Rhodes enjoyed performing many works, including those by Stanton Welch, Jiri Kylian, Christopher Bruce, Sir Kenneth MacMillan, Sir Frederick Ashton, Ben Stevenson, Twyla Tharp, George Balanchine, and Christopher Wheeldon. After retiring from The Houston Ballet, Rhodes was the Assistant Ballet Director at Texas Academy of Dance Arts in The Woodlands, Texas. In 2021, Rhodes joined Texas Ballet Theater School (TBTS) as a Studio Training Company Instructor, as well as the Professional Training Division Instructor at TBTS Dallas. In November of 2022, Rhodes became an instructor with the Sacramento Ballet.
Jess Hendricks graduated from the University of Colorado with a BFA in Dance. Her training includes Perry Mansfield School of the Performing Arts, American Dance Festival, Harvard Dance Festival, EDGE Scholarship, Gus Giordano and Hubbard Dance Street.
Her credits include commercials and industrials for Godiva, L’Oreal, Reebok, Toys R Us,
Jess Hendricks graduated from the University of Colorado with a BFA in Dance. Her training includes Perry Mansfield School of the Performing Arts, American Dance Festival, Harvard Dance Festival, EDGE Scholarship, Gus Giordano and Hubbard Dance Street.
Her credits include commercials and industrials for Godiva, L’Oreal, Reebok, Toys R Us, Universal Studios, Volkswagen and Warner Brothers. Jess worked on the tour of HAIR as Dance Captain for years, performed for the opening premiers of Moulin Rouge and The Great Gatsby and can be seen in such movies as Living Out Loud and Between The Sheets. She has danced in or been the assistant choreographer to the Elan Awards, Bob Fosse Awards, Ms. America Pageant, Carnival, Dance Break and Broadway Bares. Jess has choreographed the New York musicals The Shaggs, The Book Of The Dun Cow and Dead City as well as the movie musical Free Fall.
She has choreographed the music video Just A Dress for the Berlin Film Festival, Mia Agapi Fotia for European artist Sofia Strati’s Eurovision and has been a finalist for the ACE Awards. Jess has taught at Universities and Festivals throughout Canada, Costa Rica, Cyprus, France, Italy, Japan, Korea, Norway and the United States. Jess has danced with “The Wes Veldink Movement” and co-created her own company “Two Peas & A Pod”.
She recently created live work for the band “A Great Big World” at the Brooklyn Academy of Music, set work to be performed at Carnegie Hall and assisted with choreography for the Alicia Keys tour. Jess recently debuted a 30-minute work on Houston Met Dance that debuted this Spring. She is currently an adjunct professor at Pace University, on faculty with 24 Seven Dance Convention and a Co-Founder of Dancers Give Back Dallas.
Nao Kusuzaki is born in Ehime prefecture, Japan, and began her ballet lessons at 3 years old at
Yatsuzuka Ballet school. After moving to the U.S. at age 10, she continued her training with The
Washington School of Ballet and Boston Ballet School. Nao became a member of Corps de
Ballet with Boston Ballet in 2001. In 2004 she joined Houst
Nao Kusuzaki is born in Ehime prefecture, Japan, and began her ballet lessons at 3 years old at
Yatsuzuka Ballet school. After moving to the U.S. at age 10, she continued her training with The
Washington School of Ballet and Boston Ballet School. Nao became a member of Corps de
Ballet with Boston Ballet in 2001. In 2004 she joined Houston Ballet, and was promoted to
Soloist in 2009. She has danced numerous leading roles in both classical and contemporary
repertoire.
Some of her featured roles include: The Sugarplum Fairy and The Snow Queen in
The Nutcracker, Nikiya in La Bayadere, Madame Butterfly in Madame Butterfly, Lilac Fairy in
Sleeping Beauty, Odette and Odile in Swan Lake, Jiri Kylian’s Petite Mort, Sinfonietta, and
Falling Angels, William Forsythe’s In the Middle Somewhat Elevated, Twyla Tharp’s In the Upper
Room, Christopher Wheeldon’s Rush, and Mark Morris’s Pacific. Most recently, she was invited
to stage Swan Lake and and perform Odette/Odile with Victoria Ballet Theater in March, 2019.
Nao is also active in the Houston community through producing Dance for Hope, a benefit
Concert in response to Japan Earthquake of 2011, co-creating TSURU with Asia Society Texas
Center in 2015, and directing and dancing The 45th Anniversary Ballet Performance celebrating
Houston and Chiba Sister City Relations, which premiered in July 22, 2017. In November, 2017,
she directed and danced in the revival of TSURU at the Miller Outdoor Theater, Houston, TX,
where Nao was commended by the Consulate General, Japan. Nao is Founder of Creative Minds
Collaborative Inc., a nonprofit organization which seeks to create meaning across artists,
educators, and supporters of the arts utilizing dance as the main medium
Rylan Doty began his training in 2013 at Central Pennsylvania Youth Ballet. In 2020 he moved to Houston and started training on full scholarship with the Houston Ballet Academy. After a year in the academy he then received a contract for Houston Ballet’s second company. Within his two years in Houston Ballet II, he danced leading roles i
Rylan Doty began his training in 2013 at Central Pennsylvania Youth Ballet. In 2020 he moved to Houston and started training on full scholarship with the Houston Ballet Academy. After a year in the academy he then received a contract for Houston Ballet’s second company. Within his two years in Houston Ballet II, he danced leading roles in Coppélia, Don Quixote, Time to Dance, and more. In 2023, he received an apprentice contract with Houston Ballet and has danced in various Houston Ballet productions including John Neumeier’s Midsummer Night’s Dream, Balanchine’s Stars and Stripes, Stanton Welch’s Swan Lake, The Nutcracker, and Cinderella.
Deontay Gray is a native of Baltimore, Maryland where he began his journey in the arts as a musician. As a vocalist he has performed at Carnegie Hall, The Meyerhof, and Strathmore with musicians Linda R. Hall, Dr. Craig Jessop and Marin Alsop.
At the age of 19 he began his dance career and later received his B.F.A in dance from the Conser
Deontay Gray is a native of Baltimore, Maryland where he began his journey in the arts as a musician. As a vocalist he has performed at Carnegie Hall, The Meyerhof, and Strathmore with musicians Linda R. Hall, Dr. Craig Jessop and Marin Alsop.
At the age of 19 he began his dance career and later received his B.F.A in dance from the Conservatory at Shenandoah University. In 2015 he was featured as a choreographer and dancer presenting his work in The Royal Theatre in Winchester, England. He was invited to teach master classes in Sydney, Australia in 2016 at the Sydney Dance Company Studios as well as University of Winchester in Winchester, England.
He was featured in works at the 2015, 2017 & 2018 New York Jazz Choreography Dance Project at the Ailey Citigroup theatre and the Salvatore Capezio Theater in NYC, the 2016 VelocityDC Dance Festival at Sidney Harman Hall in Washington, DC, and the 34th Annual Choreographers’ Showcase at the Clarice Smith Performing Arts Center in Maryland. While in Maryland he has been a guest artist with Dance n Bmore, CCBC dance company , Deep Vision, Opera in Baltimore, Ballet Embody Dance Company, CityDance, Anne Aroundel County Orchestra,and more. He has been a dancer with Christopher K. Morgan and Artists since 2016. He joined the Project C Studios dance family in 2020 where he was teacher, and choreographer. In 2022 he held the title of Artistic Director for the studio.
Deontay joins the Houston community and Uptown Dance Company in 2023.
Elissa Fonseca is originally from Pleasant Grove, Utah. She has danced since she was 6 years old, focusing on ballet, but also training in contemporary, jazz, tap, and Irish dancing. In high school, she trained with Utah Regional Ballet (now Utah Metropolitan Ballet) and danced with the second company for 3 years. Elissa spent two very f
Elissa Fonseca is originally from Pleasant Grove, Utah. She has danced since she was 6 years old, focusing on ballet, but also training in contemporary, jazz, tap, and Irish dancing. In high school, she trained with Utah Regional Ballet (now Utah Metropolitan Ballet) and danced with the second company for 3 years. Elissa spent two very formative summers in college dancing at the San Francisco Conservatory of Dance under the direction of Summer Lee Rhatigan.
Elissa graduated with her BFA in Ballet Performance from the University of Utah in 2014, and then joined Salt Lake City based company SALT Contemporary Dance for 4 seasons. In 2018 Elissa moved to Minneapolis, Minnesota where she was a company member with Minnesota Dance Theatre for 4 seasons.
In college and throughout her professional career, Elissa has worked with renowned artists such as Summer Lee Rhatigan, Peter Chu, Val Caniparoli, Lise Houlton, Gustavo Rameriez Sansano, Bobbi Jene Smith, Banning Bouldin, Alex Ketley, Tina K. Bohnstedt, Garrett Smith, Gabrielle Lamb, Brendan Duggan, Elayna Waxse, and many more.
Elissa joined Vitacca Ballet in 2022.
Originally from Memphis, Tennessee, Mr. Arnold moved to Houston, Texas and studied all dance disciplines at Masters, The Upper Level in Stafford, TX. His unique lyrical style of movement garnered attention from both drill teams and dance studios throughout Houston and he has become an extremely sought after teacher and choreographer in T
Originally from Memphis, Tennessee, Mr. Arnold moved to Houston, Texas and studied all dance disciplines at Masters, The Upper Level in Stafford, TX. His unique lyrical style of movement garnered attention from both drill teams and dance studios throughout Houston and he has become an extremely sought after teacher and choreographer in Texas and Louisiana. In addition, he judges promising young talent with Move Dance Productions. Lenorris’ choreography has won numerous top awards at competitions such as Adrenaline Dance Convention, Legacy Dance Competition, Primetime Dance Productions, Hall of Fame Dance Competition, Artists Simply Human Dance Workshop, Move Dance Productions, New York City Dance Alliance, StarSystems Talent Competition, and Showstopper Competitions. Lenorris teaches at several local studios and constantly continues his dance education through seminars, conventions and travel to NYC and LA. His greatest inspiration is the progress of the dancers themselves
Morgan Joines began her professional dance career in Georgia when she obtained a contract with the Augusta Ballet at the young age of 17. She then transferred to the Atlanta ballet at 18 when she attended college at Georgia Tech. In her junior year, she decided dance was her first love. She transferred to Brenau University in Gainesville
Morgan Joines began her professional dance career in Georgia when she obtained a contract with the Augusta Ballet at the young age of 17. She then transferred to the Atlanta ballet at 18 when she attended college at Georgia Tech. In her junior year, she decided dance was her first love. She transferred to Brenau University in Gainesville where she obtained her BFA in Dance performance and education with an emphasis in pedagogy. After graduation, Morgan continued to dance with the Atlanta Ballet until 2011, with other appointments with the Columbia City Ballet, Joffrey Ballet, and Georgia Ballet Company.
She then went to graduate school to obtain an MBA and an MFA in ballet, performance and pedagogy while also serving as a company member with the Texas Ballet Theatre and North Texas Ballet Company. Following graduate school Morgan opened up her first dance studio in Denton Texas which quickly grew into two locations after its first year. Morgan has also served as an adjunct professor in the department of dance at Texas Christian University, and received multiple choreographic awards among many dance festivals, including Dallas Dance Festival and Fringe Festival. Morgan was also the founder and Artistic Director for the North Texas dance Festival and Barton Hollow Dance Theater. She has served as a soloist, Demi, soloist, and corps de ballet in multiple performances, including the Nutcracker, Alice in Wonderland, Dracula, Giselle, Swan Lake, and Firebird. Morgan has retired from performing professionally, but still lives her life through dance through her teachings and choreography.
Deanna Ott is an actor and arts educator, originally hailing from California. With decades of experience as a dancer and performer, she’s been seen onstage in Broadway National Tours (A Christmas Story), in film and television (A Conflict of Love Interest, The Break-Up, The Good Wife, Blue Bloods, The Big C, various CBS shows), and at To
Deanna Ott is an actor and arts educator, originally hailing from California. With decades of experience as a dancer and performer, she’s been seen onstage in Broadway National Tours (A Christmas Story), in film and television (A Conflict of Love Interest, The Break-Up, The Good Wife, Blue Bloods, The Big C, various CBS shows), and at Tony-Award winning regional theatre companies nationwide. As an educator, Deanna has taught dance, acting, voice and speech, movement, yoga, executive presence, and improvisation to students, professionals, and C-suite executives world-wide since 2006. She holds an MFA in Acting from SMU, is an RYT certified yoga instructor, and a NASM certified personal trainer. She is delighted to return to Texas to work with the dedicated dancers at TADA! For more info, take a look at her website: http://deannaott.com/
Marrisha Babineaux has been studying and competing in all styles of dance since the age of five. Marrisha performed as a principle dancer for Lamar University under the direction of Brixey Blankenship. Prior to and during this time, Marrisha performed in shows produced by Beaumont City Performing Arts, danced at the Alvin Ailey School
Marrisha Babineaux has been studying and competing in all styles of dance since the age of five. Marrisha performed as a principle dancer for Lamar University under the direction of Brixey Blankenship. Prior to and during this time, Marrisha performed in shows produced by Beaumont City Performing Arts, danced at the Alvin Ailey School of Dance in New York City at their summer intensive program, and also participated as a contestant on the national hit show Showtime at the Apollo as a representative from Houston after winning the spot from numerous contestants across the city. As a result of this notoriety, she landed a position for McDonalds as a company representative at conventions across the nation. Marrisha’s dance accolades are numerous. Most memorably, she won the Scene Interactive Award where her video and headshot were posted for a year for choreographers in search for dancers, and also the DDO Artist Agency Award which allowed her to be represented and contracted by DDO as a dance professional at the age of 18. Upon graduating from Lamar she began her career at Masters, the Upper Level(MUL) as a teacher/choreographer under Artistic Director Melissa Robinson. During her time there, her students won numerous first place regional and national championships; her most recent was the Mini Large Intermediate Group Ultimate Challenge and Choreography Award of 2019 at the Hall of Fame Nationals. While Miss Marrisha teaches a variety of ages and levels, she is also contracted with the Universal Dance Association for Collegiate, Secondary and Primary Students, teaching and choreographing for local high schools. In 2019 her students won numerous top awards for regional school competitions. Marrisha is currently a teacher and choreographer at The Dance Kollective!
Stephen started dancing at Shade Sisters Dance Studio, a neighborhood dance studio at the age of 3 in Pittsburgh, Pennsylvania. He went on to The Center for Theatre Arts where he enjoyed taking classes in Tap, Jazz, Ballet, and Musical Theatre. He then went on to study ballet under Roberto Munoz at The Point Park College Conservatory. Whi
Stephen started dancing at Shade Sisters Dance Studio, a neighborhood dance studio at the age of 3 in Pittsburgh, Pennsylvania. He went on to The Center for Theatre Arts where he enjoyed taking classes in Tap, Jazz, Ballet, and Musical Theatre. He then went on to study ballet under Roberto Munoz at The Point Park College Conservatory. While studying with Munoz he
refined his ballet technique and was accepted into The School of American Ballet in New York City. At The School of American Ballet Mr. Hanna trained with Stanley Williams, Andre Kramerevsky, and Richard Rapp. He performed in various ballets in the school's annual Workshop performances. A Midsummer Night's Dream, The Four Temperaments, Rubies, Valse
Fantasie, Divertimento No.15, and Symphony in Three Movements by Balanchine. Pas de Six from Napoli choreographed by Bournonville staged by Stanley Williams and Christopher Wheeldon's Danse Bohemien. In 1997 he received the Mae. L. Wein award for outstanding
promise and became a member of New York City Ballet. While at New York City Ballet he was promoted to the rank of soloist in 2004 and in 2005 was promoted to the rank of principal dancer. He danced principal roles in Balanchine's A Midsummer Night's Dream, Agon, Brahms Schoenberg Quartet, Chaconne, Concerto Barocco,
Cortège Hongrois, Diamonds, Divertimento No. 15, Emeralds, The Four Temperaments, La
Valse, Liebeslieder Walzer, The Nutcracker(Cavalier), Robert Schumann's Davidsbundlertanze,Serenade, Stars and Stripes, Symphony in C(2nd movement), Tschaikovsky Pas de Deux,
Tchaikovsky Piano Concerto No. 2,Tchaikovsky Suite No. 3(Elegie), and Western Symphony. In Robbin's 2 and 3 Part Inventions, Dances at a Gathering, Fanfare, The Four Seasons, Glass Pieces, The Goldberg Variations, I'm Old Fashioned, Interplay, Les Noces, and Piano Pieces. In
Martin's Fearful Symmetries, Les Gentilshommes ,Octet, Swan Lake(Prince Siegfried, Benno), and The Sleeping Beauty(Gold, Blue Bird, Wolf). Richard Tanner's Ancient Airs and Dances and Soirée. In Albert Evans's Haiku and in Boris Eifman's Musagete. Mr. Hanna also appeared in the
film Centerstage during his time with City Ballet.
In 2008 he made his Broadway Debut in Billy Elliot The Musical as Older Billy/Scottish Dancer.
The 10 time Tony winning production was directed by Stephen Daldry and choreographed by
Peter Darling. In 2009 he returned to New York City Ballet where he was a guest artist for the 2009/10 winter season. In the spring of 2010 Stephen returned to Billy Elliot The Musical and stayed with the show until it closed in Jan of 2012. The following week Mr. Hanna joined the national tour cast of Twyla Tharp's Come Fly Away in the role of Sid. After eight months he
returned to New York and joined the cast of Silence! The Musical where he played the role of Dream Lecter. Playing Dream Curly in Oklahoma! was next at The Chicago Lyric Opera. He had
the opportunity to learn the original Agnes De Mille choreography from Gemze DeLappe who
worked closely with DeMille and was a member of the first national tour of the show. He then went to perform in Spoleto, Italy where he partnered Alessandra Ferri in her return to the stage
in The Piano Upstairs.
Back in New York he went on to dance with Ballet Next and Intermezzo. With these companies Mr. Hanna danced ballets by Brian Reeder, Mauro Bigonzetti, and Claudia Schreier. In
December of 2013 he took part in a Dance Lab for the show On The Town choreographed by Josh Bergasse. The summer of 2014 he reprised the roles he played on Broadway in Billy Elliot The Musical at Ogunquit Playhouse in Maine. In the fall of 2014, Mr. Hanna landed back on Broadway in the revival of On The Town directed by John Rando. Stephen had the pleasure of
performing in The Macy's Thanksgiving Day Parade and The Tony Awards with the cast of the show. When On The Town closed he joined the Broadway cast of An American In Paris until it
closed in Oct of 2016. In 2017 l appeared again on Broadway in Hello, Dolly! Starring Bette
Midler. After finishing his run at Hello, Dolly! he was lucky enough to work with Susan Stroman on a lab of The Beast in the Jungle written by Scott Thompson with music by John Kander. This past spring Hanna made his Carnegie Hall debut in Candide directed by Gary Griffin and
choreographed by Josh Bergasse. This past year Mr. Hanna taught and choreographed at the College of Charleston He also
appeared in I Married An Angel at City Center Encores, as the Monotony Soloist in Jerome Robbins’ Broadway, Dream Jud in Oklahoma at Sacramento Music Circus, and The Lover in
The Other by Agnes Demille at The Lake Tahoe Dance Festival. In July he taught and
choreographed at The Joffrey Ballet School Musical Theatre summer program, The Lake Tahoe Dance Festival, and at Saratoga Summer Dance Intensive in Vail, Colorado.
In 2010 Mr. Hanna started studying acting at The Barrow Group. He enjoys this new exploration of expression and has studied with Dani Super, Nick Demos, and Matt Newton. He has since
appeared on television in All My Children, Boardwalk Empire, Momsters: When Moms Go Bad, Forever, Pose, and the short film Fourth Position.
Derek Sakakura has been fortunate enough to be a professional performing artist for over twenty years as in ballet, musical theater, and acting. Derek danced as a professional the Joffrey Ballet of Chicago, Ballet Austin, and San Francisco Opera Ballet. He became a principal dancer with Ballet Met and Diablo Ballet and danced lead roles i
Derek Sakakura has been fortunate enough to be a professional performing artist for over twenty years as in ballet, musical theater, and acting. Derek danced as a professional the Joffrey Ballet of Chicago, Ballet Austin, and San Francisco Opera Ballet. He became a principal dancer with Ballet Met and Diablo Ballet and danced lead roles in ballets choreographed by: George Balanchine, Christopher Wheeldon, Dwight Rhoden, Ben Stevenson, David Parsons, Val Caniparoli, James Kudelka, Stephen Mills, Warren Adams, Jerome Robbins, Trey McIntyre, Stanton Welch, Christopher Stowell, Septime Webre, David Nixon, and many more.
Derek’s unusual versatility afforded him the opportunity to perform as a cast member in the Tony Award winning (1996 Best Revival of a Musical), Broadway national tour of, “The King & I,” choreographed by the legendary Jerome Robbins with new choreography by Lar Lubovich. Performing in the lead dance role as King Simon of Legree in his hometown area, for family, teachers, and friends in San Francisco, is still a highlight of his early career.
In the latter part of his performing career, Derek was recruited to play Bernardo in Woodminster Theater’s production of “West Side Story.” His experiences as an actor in musical theater led Derek to be scouted for Clint Eastwood’s movie, “The Hereafter,” while he was performing in Maui’s visionary show, “ ‘ulalena,” in the role of Taro. Derek continues to enjoy acting, on occasion, but he feels that his truest calling is in teaching and mentoring.
A Bay Area native, Derek Sakakura has trained with some of the area’s legendary teachers: Lareen Fender, Sally Streets, and Sandra Chinn. His formal training continued under scholarships with San Francisco Ballet School and Houston Ballet Academy, where, at age:16, he was offered one of six out-of-state scholarships to live and train in their pre-professional program.
Although Mr. Sakakura officially retired from performing in 2016, he has gone on to study salsa, argentine tango, contact improvisation, freestyling, and fusion-dance partnering. He loves dancing regularly in all styles, and he has been humbled by how a lifetime of study in dance still leaves many lifetimes of ways to experience dance. He has cultivated a daily yoga practice and has learned how lucky he is to be able to feel so strong and free in his body.
Madison Russo began her training in West Palm Beach, FL at Ballet East at the age of six. Training under Marcie Russo, Doreen Cafarella, and Chelsea Nasby, she received numerous awards from 2014-2015 at the Youth American Grand Prix, American Dance Competition, and the Indianapolis International Ballet Competition. At IIBC, she received a
Madison Russo began her training in West Palm Beach, FL at Ballet East at the age of six. Training under Marcie Russo, Doreen Cafarella, and Chelsea Nasby, she received numerous awards from 2014-2015 at the Youth American Grand Prix, American Dance Competition, and the Indianapolis International Ballet Competition. At IIBC, she received a short-term scholarship to study at the Houston Ballet Academy. From there, she joined the Houston Ballet Academy’s year-round program on full scholarship in 2015. In 2017, she received a contract with Houston Ballet II, and in 2018 an apprenticeship with the Houston Ballet. Since joining the company and being promoted to Corps De Ballet in 2019, Russo has performed in many of the company’s major full length ballets including Swan Lake, Sylvia, La Sylphide, Don Quixote, The Sleeping Beauty, Coppélia, Balanchine’s Jewels, Stars and Stripes, and more. During her time with Houston Ballet, Russo has been a part of the creation process in new works from choreographers such as Arthur Pita, Trey McIntyre, Justin Peck, and Anabelle Lopez Ochoa. Russo has been choreographing on the Houston Ballet Academy since 2016, with her most recent work being Spina on Houston Ballet II.
Alex Sanchez is a New York City based director/choreographer of Puerto Rican heritage. He spent his childhood in both his native Chicago and Puerto Rico. He began his dance training on scholarship at Lou Conte Dance Studio and furthered his training at The Ruth Page Foundation of Chicago. Alex later joined Ballet Chicago and danced four s
Alex Sanchez is a New York City based director/choreographer of Puerto Rican heritage. He spent his childhood in both his native Chicago and Puerto Rico. He began his dance training on scholarship at Lou Conte Dance Studio and furthered his training at The Ruth Page Foundation of Chicago. Alex later joined Ballet Chicago and danced four seasons with the company. During his time with Ballet Chicago, he would moonlight performing in musicals at various venues in the Chicago theater district. This experience lead to his first Broadway show, THE RED SHOES.
In New York
Now on Broadway, Alex would spend the next 14 years performing in ten broadway shows as well as off broadway City Center Encores and various top regional theaters in the country. He was in the original broadway companies of THE RED SHOES, CAROUSEL Lincoln Center Revival, BIG THE MUSICAL, FOSSE, FOLLIES Roundabout Revival, CHITTY CHITTY BANG BANG, and CHITA RIVERA, THE DANCERS LIFE. He was a replacement in ONCE UPON A MATTRESS, WONDERFUL TOWN and LOVE! VALOR!
COMPASSION!.
The Actor
Though Alex started out as a dancer, his performing resume also includes various acting and singing principle roles. Always interested in acting and Shakespeare, Alex joined the Chicago Shakespeare Theatres acting training program. He studied acting and the first folio technique. In New York he continued his acting training with Shakespeare and Company as well as The Manhattan Edge School for acting. His training got him cast in the Tony award winning Broadway play, LOVE! VALOR! COMPASSION! He was the standby and performed the role of Ramon Fornos. Later he played opposite Kristen Chenowith in The Goodspeed Opera’s production of STRIKE UP THE BAND, Penguin Reps production of John Leguizamo’s one man play, MAMBO MOUTH, Dallas Shakespeare Festival’s production of THE TEMPEST, playing the role of Ariel, City Center Encores production of NEW MOON, in the role of Jaques the Pirate.
His Teachers
Alex not only worked with the best performing talents in the world but also the best directors and choreographers. This gave him a daily master class on creating theater. Working with theater luminaries like Lar Lubavitch, Susan Stroman, Kathleen Marshall, Nick Hytner, Joe Mantello, Gillian Lynne, Mike Ockrent, Gerald Gutierez, Richard Maltby Jr., Christopher Ashley, Gary Griffin, Mathew Warcus, John Doyle, Michael Greif and Graciela Daniela, gave him the lessons and theatrical insights that he brings to his work as a director and choreographer.
Approach
Alex’s diverse career in both acting and dancing, has given him an in-depth understanding of theatrical storytelling and how to break down the intention of the plays text. He uses his love of history to do exhaustive research on all of his projects. That is why Alex’s approach to any work is always through the lens of finding the most truthful answer to express the piece.
Angela Palladini's Theatre/Dance Credits Include: CHARLIE AND THE CHOCOLATE FACTORY 2nd National
Tour 2019-2020, 2021-2022 (Veruca Salt), ANNIE National Tour 2014-2015 (Orphan Swing, Asst. Dance Captain), ANYTHING GOES-Gateway/Ogunquit Playhouse (Assoc. Choreographer), CAROUSEL- Opera North (Louise), PIRATES OF PENZANCE- Opera North (Ball
Angela Palladini's Theatre/Dance Credits Include: CHARLIE AND THE CHOCOLATE FACTORY 2nd National
Tour 2019-2020, 2021-2022 (Veruca Salt), ANNIE National Tour 2014-2015 (Orphan Swing, Asst. Dance Captain), ANYTHING GOES-Gateway/Ogunquit Playhouse (Assoc. Choreographer), CAROUSEL- Opera North (Louise), PIRATES OF PENZANCE- Opera North (Ballet Soloist, Daughter, Dance Captain), Dance Gallery Festival 2014 (Finalist), Polaris Dance Theatre, Hubbard Street Dance Chicago. Teaching Credits: Broadway Kids Auditions (NYC), Athletic Dance Institute (NJ), Choreography/Class Assistant at Broadway Dance Center and STEPS on Broadway (NYC), TADA (Houston, TX), Polaris Dance Theatre (Portland, OR), Orpheum Theatre Group (Memphis, TN), Colorado Springs Conservatory (CO), California State University at Dominguez Hills (CA), University of Nebraska at Lincoln (NB).
Other Credits: THE MARVELOUS MRS. MAISEL- Seasons 1-5 (Principal BG Dancer, Stand-In, Photo Double), JOKER- FOLIE À DEUX (Stand-In), DIVORCE- Season 3/Series Finale (Dancer).
Proud Member of SAG-AFTRA, AEA, AGMA, & AGVA.
SARA WEBB danced as a principal ballet dancer for Houston Ballet for 21 seasons.
Born in Dallas and raised in Las Vegas, Sara attended the Harid Dance Conservatory in Boca Raton, Florida for high school before attending the Houston Ballet Academy. She started dancing professionally with Houston Ballet in 1997 and retired in 2018. During h
SARA WEBB danced as a principal ballet dancer for Houston Ballet for 21 seasons.
Born in Dallas and raised in Las Vegas, Sara attended the Harid Dance Conservatory in Boca Raton, Florida for high school before attending the Houston Ballet Academy. She started dancing professionally with Houston Ballet in 1997 and retired in 2018. During her career, she performed leading roles in many classical ballets, including Swan Lake, Cinderella, Sleeping Beauty, The Nutcracker, Peter Pan, Giselle, Romeo and Juliet, Alice in Wonderland, and Madame Butterfly, as well as many contemporary ballets. She has danced throughout the United States and in many countries, including Japan, Australia, England, Russia, Spain, Canada, Germany, China, and Panama. She has taught ballet at the University of Utah, Brigham Young University, and the University of Houston, as well as at local ballet schools throughout Houston.
Sara is married to Ryan Bardo, and they have five children.
Alexis began her dance training at Morgan Street Dance Company. In 2005, Alexis graduated from the University of Arizona with a BFA in Dance. During her time there she performed works by George Balanchine, Paul Taylor, Sherry Zunker, Sam Watson and Susan Quinn, among others. Immediately following graduation, she accepted a contract to per
Alexis began her dance training at Morgan Street Dance Company. In 2005, Alexis graduated from the University of Arizona with a BFA in Dance. During her time there she performed works by George Balanchine, Paul Taylor, Sherry Zunker, Sam Watson and Susan Quinn, among others. Immediately following graduation, she accepted a contract to perform aboard the Rhapsody of the Seas for Royal Caribbean Cruise Lines. She then moved to Chicago to continue her training on scholarship at the Lou Conte Dance School. Alexis now dances with Philadelphia’s Koresh Dance Company. This is her third season with the company.
This challenging intensive is lead by Jess Hendricks, Lenorris Arnold, and Randall Flynnwho break boundaries, explore movement, and focus on nuance, intention, aesthetics via contempo/modern and improv techniques, and guided choreography creation. 6/29-30, 10a-230p. Age 8+
Registration for SUMMER is OPEN! Classes for all ages and levels in ballet, jazz, hip hop, more! Enjoy a free week trial!
Registration is OPEN for the 2024/2025 Dance Year! Classes for all ages and levels. Enjoy a free week trial!
New students are welcome to enjoy a FREE TRIAL WEEK to try as many as you like within a week! Registration required.
Summer Camps, Ballet Intensives, and more - see what's happening!
View our summer/fall dress code below, or you can also shop for TADA Merch!
Our Summer Camps are engaging, creative, and a little bit SILLY!
Who says learning can't be SUPER FUN???
ALL raffle proceeds go towards Interfaith of the Woodlands to support the wonderful work they do in our community! Prizes include a Giant Home for the Holidays Raffle Basket.
Check here regularly for schedule details & updates
AGE AND REQUIREMENTS: New to TADA dancers must be age 7 by October 1, 2024, have at least one year of ballet experience, and enrolled in at least one ballet class at TADA to participate. Returning TADA dancers must be age 6 by October 1, 2024, have at least one year of ballet experience, and enrolled in at least one ballet class at TADA to participate.
AUDITION: Saturday, August 24, 2024. Fee: $35/dancer, non-refundable. Register in your parent portal. Attire: Girls: Black leotard, pink tights & ballet shoes, hair in a bun. Boys: Black or white shirt with black tights/pants, black ballet shoes.
Before auditioning, please email the director Amy Leonards at ballet@dancetada.com for a packet of info which explains the cost and time commitments.
TaDaisy can assist you with current class openings, free trials, tuition info, and so much more! Get quick answers based on real-time info! Give her a try!